教師陣

ペドロ・カルネロ

ペドロ・カルネイロは、シュトゥットガルトのジョン・クランコ・スクールを卒業後、ハーゲン市立劇場、ボン国立歌劇場、リスボン国立バレエ団などで活躍しています。サンクトペテルブルクのヴァガノヴァ・アカデミーで方法論のディプロマを取得しました。23年間、クラシックダンス、レパートリー、キャラクターダンス、パ・ド・ドゥ、クラシックダンスの方法論の指導に携わる。

リスボン大学ISCTEで学校管理学の修士号を取得している。

指導者としての彼の経験は、アジア（日本、韓国、タイ、台湾、中国）、アメリカ、ブラジル、ヨーロッパ（フランス、ベルギー、ルーマニア、イタリア、ブルガリア、スイス、ドイツ、エストニア）など、世界各地に招かれています。

ペドロ・カルネイロは、これまでに60以上の主要な国際コンクールで審査員を務めています。

また、2003年末からリスボン国立舞踊学校の経営に携わり、2008年には学長、2009年にはディレクターに就任しました。

彼は現在、モサ・バレエ・スクールの人間的なビジョンと、卓越性に向けて開く新しい道を体現している。

ローレライ・バリ

ローレライ・バリ氏はブカレストの高等振付学校を卒業し、25年以上にわたりバレエとレパートリーの教師を務めています。彼女はのプロとしてのキャリアはブカレスト国立歌劇場のクラシック・バレエ・ダンサーから始まりました。

22歳のとき、クロアチアのリエカ国立歌劇場でソリスト、バレエマスター、アシスタントコレオグラファーとしての契約を得ました。

1993年から1998年までイタリアで教師、振付家として活躍し、1999年にはルーマニアに戻り、自身のバレエスクールを開校しました。長年にわたり、プロフェッショナル・アマチュアを問わず、あらゆる年齢層の生徒を指導し、その多くがプロのバレエダンサーとして活躍し、様々なハイレベルなバレエアカデミーに入学しています。

さらに、イタリア、イスラエル、フランス、ルーマニア、イギリス、香港、ブラジルで、バレエとレパートリーのマスタークラスを行っています。

また、「ダンスワールドカップコンペティション」の芸術監督を務め、世界各国のあらゆる年齢層の生徒を審査しています。2014年からは、「ヤングスターズバレエコンペティション」の創設者兼芸術監督を務めています。

ハイディ・ワイス

ハイディ・ワイス氏は、アメリカのフィラデルフィアにある芸術大学でグラハム、ホートン、ハンフリー／リモン、テイラー、バレエ、ジャズ、アフリカンダンス、タップダンスを学び、美術学士号を取得。また、奨学金を得て、ニューヨークのアルビン・エイリー・スクールに入学しました。
彼女は教師のためのトレーニング、舞踏、コンテンポラリーダンスのトレーニングとバレエ、人体構造学、フォーサイス・システムなどのワークショップに参加しています。また、グループや企業でのパフォーマンス経験も豊富に持っています。。
彼女はイワンソン国際コンテンポラリーダンススクール（ミュンヘン）、南フロリダ大学、フォルクヴァン大学（エッセン）、韓国芸術総合学校、パルッカシューレ（ドレスデン）、ハンガリアンダンスアカデミー、フィラデルフィア芸術大学などで教鞭をとっ多経験があります。
また、同氏は以下の企業で客員講師を務めたことがあります。ランバート・カンパニー（ロンドン）、トゥラ・シー・オブ・リムナイオス、カンパニー・トレーニング（ドイツ・ベルリン）、ウィー・ダンス・カンパニー、ゲルリッツ・シュタットシアター（ドイツ）、DV8（ベルリン）、イツィク・ガレイリ（オランダ・グレーニゲン）、シュタットシアター・ギーセン（ドイツ）、ドイチェス・ナショナルシアター・ワイマール（ドイツ）、サーシャ・ワルツ＆ゲスト（ベルリン）、トラダ・ダンス・カンパニー（ベルリン）。

サロメ・マルティンズ

サロメ・マルティンスはポルトガルに生まれ、セトゥーバルのコンテンポラリー・ダンス・アカデミーでトレーニングを受けました。
セトゥーバルのコンテンポラリー・ダンス・カンパニーでプロとして踊り、2009年から2017年までの8年間、ソリスト・ダンサーとして、Ballet Braunschweig、Ballet Theater Munich、Ballet Darmstadt、Ballet National de Marseille、Tanz Luzerner Theaterなど、さまざまな劇場やカンパニーで国際的なキャリアをスタートさせました。彼女は複数のソロ役のほか、ガラやフェスティバルにも出演しています。
また、2011年には、ルツェルンで開催された第6回Prix Galaで、最も優れたアーティストとしてメイン賞を受賞しています。
また、いくつかの学校でバレエとコンテンポラリーダンスを教えており、現在はルツェルンのBallettstadtで専任教員を務めている。
また、個人レッスンも行っており、若いダンサーをいくつかの学校に入学させている。
2020年9月、サロメ・マルティンスはZürcher Hochschule der Künsteのマスター・ダンス・プログラム「MA Dance – Teaching and Coaching Dance Professionals」に入学し、現在はZHdKの学士課程コンテンポラリー・ダンスの1年生と2年生を指導している。
2021年5月にはIGTZ – IG Tanz Zentral Schweizのメンバーとなり、バレエとコンテンポラリーのProfitrainingを教えている。

Viktor Shcherbakov

Viktor Shcherbakov was born in Kiev, Ukraine. He received his professional education as a ballet dancer at the Kiev State choreographic School and at the John Cranko Academy in Stuttgart, Germany where he was a student of Piotr Pestov.

Mr. Shcherbakov was educated as a ballet teacher at the National Academy of leading personnel of culture and art in Kiev, with the assignment qualification master of choreography, choreographer, and teacher.

He has a degree of associate professor in the department of choreography in Kiev.

He worked as a ballet dancer at the Staatstheater Stuttgart, Stuttgart Ballet, Germany, and National Opera of Ukraine, in Kiev), where he performed the main roles in over 40 classical ballets.

Mr Shcherbakov was awarded the title of Honoured Artist of Ukraine in 2011. He was a laureate of the state Prize Anatoly Shekera for choreography in 2012.

As a choreographer he staged many ballets and several divertissements of classical ballet choreography remaining true to the traditions of classical ballet.

Yuliya Rakova

Yuliya Rakova was born in Russia and began her ballet training at the age of ten at the Perm State choreographic college in Russia, home of the famed Russian ballet traditions, where her studies included classical ballet, history of theater, history of art and music, acting, stage makeup, history of European and American ballet, character, historic dance, and pas de deux.

She had performed nationally and abroad with Perm Tchaikovsky Opera and Ballet Theater, Moscow Dance Theater of Alexei Fadeechev and Russian National Ballet Company. Yuliya has worked with notable choreographers such as Trey McIntyre, Ben Stevenson, Alexei Ratmansky, Stanton Welsh. She taught for professional ballet schools such as Kirov Academy of Ballet, Ellison Ballet, Joffrey Ballet School and Pennsylvania Ballet.

Her repertoire includes roles in Swan Lake, Coppelia, Don Quixote, Paquita, Nutcracker, Chopiniana, The Sleeping Beauty, Le Corsaire and others. Ms. Rakova continues to teach as well as stage classical productions around the country and abroad. As an accomplished dancer and experienced teacher, Yuliya Rakova would like to share her knowledge with passion for young dancers.

Vira Kharchenko

In 2012 Vira graduated with honours from Kyiv Ukrainian Dance Academy named after Serge Lifar and joined Lviv National Opera and Ballet Theatre of Ukraine as a corps de

ballet dancer. In the course of 2012-2013 she had a chance to perform a variety of corps de ballet and small soloist roles.

Having joined the Astrakhan State Opera and Ballet Theatre in Russia by the invitation from the Choreographer and Artistic Director Konstantin Uralskiy in 2013, Vira became a Principal Ballet Dance the same year and performed a number of leading roles in ballets like “Swan Lake”, “The Nutcracker”, “Romeo and Juliet” and “Edith Piaf”. By 2015 Gained a BA in Choreography Teaching.

Since 2013 – 2019 her repertoire included leading roles in a variety of ballets such as “Giselle”, “Don Quixote”, “The Nutcracker”, “Le Corsaire”, “Sleeping Beauty”, “Romeo and Juliet”, “Chopiniana”, “La Bayadere”. Many of them were also performed on the stages of France, Poland and Great Britain during theatre tours.

In 2018 Vira moved permanently to the UK continuing her work as an invited soloist in Ukrainian companies and taking part in some contemporary projects in Great Britain. She especially enjoyed working with emerging choreographers.

From 2019 she started to consolidate her dancing career with teaching. Currently working for Performing Arts College “Bodyworks company” in Cambridge, Vira is often invited to teach ballet intensives and open classes in London.

Séverine de Cussac

Séverine de Cussac trained at the Paris Opera School of Dance under the direction of Claude Bessy. At 17, she was hired as a Quadrille at the Opéra National de Paris, where she danced for seven years in the large classical repertoire, numerous choreographies by Rudolf Nureyev, and neo-classical works by George Balanchine, Jérome Robins, and Maurice Béjart, in addition to entries in the repertoire of contemporary creations by William Forsythe, Mats Ek, and Angelin Preljocaj. She was a finalist in the Varna competition and obtained the State Diploma of the Ministry of Culture for teaching classical dance.

She was then hired as a soloist at the National Opera of Dresden in Germany under the direction of Vladimir Derevianko.

Vladimir Derevianko’s direction. She performed in numerous roles in the ballets of John Neumeier, Uwe Scholz, John Cranko and played “Giselle”. She works with great choreographers such as Jirì Kyliàn, Mats Ek. Under the direction of Aaron Watkin she continued to work with William Forsythe and met David Dawson and Oad Naharin.

After a twenty-year career as a dancer, she became a classical dance teacher at the Dresden Palucca Hochschule für Tanz” in 2013. She teaches Classical Dance, Pointes and Variations of the Repertoire to students from 11 to 16 years old, as well as to students of the Superior Cycle. She also participates in the preparation of performances in collaboration with the “Semperoper Ballett” of Dresden.

She is also a mentor in the training of students in the Master of Pedagogy program. She participates in further training and didactic method sessions at her school and at seminars.

Ime Essien-Hassel

Ime Essien-Hassel was trained as a stage dancer and dance teacher at the École Française de Ballet (Bonn) and the New City Dance School (Stuttgart). She worked as a dancer and singer in various musicals, rock operas and in modern musical theater in Germany. Ime worked for the contemporary dance company Conny Janssen Danst…in Rotterdam (NL), Charleroi Danse/ Plan K in Belgium and with the dance company Giessen. There she worked first as a dancer, then as a rehearsal director and choreographic assistant. This was followed by a 7-year engagement as artistic rehearsal director (RD) with NorrDans in Härnösand (SE), as well as subsequent guest residencies with the Staatstheater Bielefeld (D), the Theater St. Gallen, as RD & ensemble coach with Skånes Dansteater in Malmö (SE) and most recently with Jasper van Luijk (NL).

Since 2000 and 2007 Ime Essien-Hassel has been studying and working with the communication approach Process Inquiry® and the movement inquiry through Dansergia®. This work forms the methodological basis for I.M.E. InnerMovementEvolution.

Since 2004 Ime Essien-Hassel has been working internationally as a dance teacher and movement coach, in Scandinavia, the Netherlands, Italy & Spain. She teaches and works in contemporary dance companies, colleges of dance and open dance studios. I.M.E. InnerMovementEvolution has been part of the curriculum of the ArtEZ Bachelor of Dance since 2005 with the courses “Essence Work” and “Process Inquiry® in Dance” and since 2017 also as a guest of the ArtEZ BA Dance in Education in Arnhem/ Netherlands.

Roberta Ferrara

Since 2011, she is the artistic director of Equilibrio Dinamico Dance Company and the international training programme ED ENSEMBLE, Italy. From 2020 she is associate artistic director of Odyssey Dance Theatre, Singapore, one of the principal professional dance organisations in Asia, founded by Dr Danny Tan. As a performer, she worked for choreographer Emanuel Gat on the projects supported by Venice Biennale and Ravello Festival.

She has been a guest of several national and international realities such as Staatstheater Ballet Augsburg, Teatrul De Balet Sibiu, English National Ballet School, Korea Ballet House, Morikawa Dance Academy, Ateneo della Danza, Elan Ballet, Balletto di Siena, ODT, Experimental Film Virginia, and Eko Dance Project. Moreover, her works have been supported by the Italian Cultural Institutes in Colonia, New York, Mexico, Zagreb, Sao Paolo, San Francisco, and Ankara.

Her works have been performed in Italy, Mexico, America, Albania, Kosovo, Vietnam, Belgium, Germany, Croatia, Singapore, India, Japan, Korea, Portugal, Turkey, Brazil, Lebanon, Spain, Romania, and Bulgaria.

Currently, she devotes herself to choreography and training in Italy and abroad, combining her work with the practical and theoretical study of Tai chi chuan, an old Chinese martial art.

Ekaterina Shavliashvili

Ekaterina Shavliashvili was born in Tbilisi, Georgia.

Ms Shavliashvili studied at the Tbilisi V.Chabukiani State Choreographic School (under the tutorship of  T.Vikhodtseva and V.Chabukiani).

She as a laureate of the Caucasian Young Ballet Artists’ Contest.

Ms. Shavliashvili danced professionally for the Ballet Company of the Tbilisi Opera and Ballet State Theater from 1989 till 2009.

From 2007 to 2014 she was a teacher for classical ballet at the Tbilisi V.Chabukiani State School of Ballet Art.

In 2007 Ms. Shavliashvili did one month qualification course at Danish Royal Ballet School.

She has been a guest teacher for floor barre and stage movement at the Royal   Danish Opera Academy and for classical ballet at the La Sylphide ballet school in Romania.

She was teaching the one-year course of classical dance and variations for students from Japan at the at Tbilisi Opera and Ballet State Theater.

Since 2010 Ms Shavliashvili has been assistant of the artistic director, rehearsal teacher and assistant of the guest choreographers at Tbilisi Opera and Ballet State Theater and other companies working with Nina Ananiashvili, Frank Andersen, Alexey Fadeechev, Mikhail Lavrovski, Ben Huys, among others.)

Since 2021 to present she has been a company manager at Tbilisi Opera and Ballet State Theater.

Marta Kulikowska de Nalecz

Marta completed her professional ballet training in Poland (Poznan).

She worked for thirteen years in the Opera and Ballet Theater (Wroclaw) where she danced the title roles and solo parts in ballet the repertoire: The Swan Lake, The Nutcracker, Cinderella, Don Quixote, Romeo and Juliet and many others.

She graduated with honors from Dance Pedagogical Department of Chopin University of Music in Warsaw (Master of Ballet) and she has  a seventeen years of experience as a dance teacher.

Marta has successfully worked as choreographercreating pieces for festivals, competitions and performances. She also conducted dance classes as a guest teacher in classical ballet, pointes and ballet repertoire. Currently she is  working as a ballet master at several dance schools in Brussels.

Finally, in 2009 she received a diploma and the title of “The best dancer in Poland”. A year later, Marta received a medal for achievements in culture “Gloria Artis” from the Polish Minister of Culture.